SAMSON SR950 Professional Studio Reference Headphones, black
- Closed ear design for maximum isolation
- 50mm drivers for exceptional reproduction and wide dynamic range
- 10Hz-30kHz frequency response, 32ohm impedance
- Self-adjusting headband for a secure, comfortable fit
Original price was: ₹4,332.₹3,888Current price is: ₹3,888.
SAMSON SR950 Professional Studio Reference Headphones, black Prices
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Specification: SAMSON SR950 Professional Studio Reference Headphones, black
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Kalpana Prasad –
I have fell in love with it, paired along with Apple Music lossless service, the songs I loved, give me goosebumps and every time I play them I find more and more things. Thank you to Samson for making it this good and cheep. ( I have been listening to them for a month or so) sadly on my left ear cup the Samson branding was missing when it arrived, this is the only problem I have had till date with them.The ear cups are so comfortable and passive noise cancellation is also really good too 😊.
Nandit Desai –
I’ve worn several cans over the last decade or so and this is definitely one of the best ever. These are tuned beautifully with a mild boost in the upper mids but without compromising the intended authenticity of sound. I found these better than Audio Technica M30X and AKG K72 for monitoring and light mixing / mastering as they seemed to offer a more balanced output (AT is marginally biased towards the highs and the AKG has a noticeable drop in the mids).
For the price, these headphones offer remarkable value, comfort and of course – excellent audio reproduction.
fido_dozes –
I think there’s a fair chance you are looking at these wondering if they are worth spending more on than the 850s. I wrote a three star review on the 850s as well, and if you find it helpful then please give these reviews a vote as it helps other people find the comparison.
The breakdown photo of these headphones make it seem that the drivers are the same as in the 850s. So also does the tone profile of the headphones, which need a remarkably similar kind of equalisation to bring to a neutral kind of profile. The 950s are heavier though and the clamping pressure on the head is greater.
The 950s have a pronounced peak in response in the 5KHz treble region, and also a substantial peak in the 2KHz region. However the 2KHz region peak is easier to live with. In comparison with much more expensive headphones made of more exotic materials, I find the high midrange “presence” to treble rather coarse, like the 850s also. More expensive and exotic headphones offer finer resolution in this range though not greater raw strength of treble response.
These headphones are ultimately better as a finished article than the 850s. The 950s have more bass extension than most floorstanding speakers. The open back 850s on the other hand, even though they may be temporarily attractive on a dull source are harsh and breathy, and give the illusion of seeming bass-light to people who are not turning the treble down to compensate for them. I’d turn down the treble on the 950s too, only a little less.
Some have dogmatic ideas about closed headphones but I wouldn’t worry about that; the closed cups on the 950s seem to bring some measure of sanity to the response of these drivers. Whereas I can find it difficult to tolerate the 850s in many situations I can get used to the 950s by turning the treble down a lot and their big sound is an advantage. Organ music is grand but agreeable on them, without the excessive pipe squeal that the 850s give.
Big, bouncy, a bit rough, and if you have tone controls they’re worth a go, because they sound more powerful and have more detail than typical cheapish headphones. The question mark over them is whether you can tolerate the strong clamping pressure and the warmth of the huge earpads.
I’d definitely give these four stars on value, I just am reluctant to give them more than three stars overall regarding the equalisation they need to make them pleasant.
DD –
Absolutely Garbage Product, Stay away from this… It may be defective piece however I was denied replacement…
G B Roy –
I wanted budget around ear, closed-back headphones that are made for velour earpads. There probably is nothing else in this price range matching these criteria.
Unlike pleather earpads, velour doesn’t flake and disintegrate. Although there are replacement velour earpads for pleather headphones, they are known to change the sound a lot.
There is a significant boost in the low end as well as the high end in the SR950. The high end feels very harsh and I had to use an equalizer to tone it down.
Sound quality perception and ear sensitivity to different frequencies is subjective, so my responses are based on my experience owning ATH M30 and Sennheiser HD600.
In conclusion, these are very comfortable due to the earpads and for casual listening over long hours they can work fine with some EQ.
They are good within this budget but I would recommend them mainly for comfort and the longer-lasting earpads, instead of the sound quality.
Shubham –
Good
Gourab –
Great headphones for monitoring. Sound is on the bright side. Needed stretching as clamping force is too much. Great value for money. Ordered brainwavz xl suede for it to make it have more bass. Lets see how it goes.
Update: Jack wire became loose sound started cutting off on one side. Only plays from both in a fixed arrangment now.
bidyut karmakar –
I bought this just for my Laney Studio L5 guitar amplifier to facilitate studio recording. Was disappointed with audio volume. It’s not very loud. Noise isolation is not great nor is the comfort level. To add insult to the injury, the seller sold a used unit and after 4 or 5 days’ use, the tensioner mount broke. Also the seal was broken when the item was delivered. Since I was in urgent need, did not return.
I would not recomment the seller.
Vinay K –
I thought my old headphones (Superlux HD662 monitor) were really good. This is a step above. Bass is deep and the soundstage is really better. The mids are clear, the highs are sharp and overwhelming. I thought there was sibilance, but it turned out to be bad audio source. I put some cotton padding to reduce the highs. An amp is not required to use this headphone but with an amplifier these perform better. Bass is much better with an amp compared to not using one. Plus with an amp you can listen at lower volume than required.
The sound isolation in these are just OK. I mean you can hear the door bell or kids shouting and screaming (a bit faintly) while playing. You can drown the outside noise if you listen at high volume but it will definitely kill your ears fast.
I haven’t heard any Sennheiser or AKG’s or any other brand so cannot make a comparison between these and them.
Bl Anderson –
I was considering giving these cans a five star overall, however there are two caveats that made me reduce the score to four. Though even at “only” four stars these are an absolute bargain for the sound quality on offer.
First, these are quite detailed. Cymbals, chirpy synthesizers and guitars all come through very well with decent separation. This extends to the bass as well, with bass guitar plucks and bass drum beaters adding extra excitement to whatever you’re listening too.
The bass is also very smooth. These are tuned to be “flat” compared to your typical pop-oriented headphone that you can buy at this price. Bass wont be artificially added to a track; if a track doesn’t have booming bass, you wont hear booming bass, and that is a good thing because what you’re hearing is closer to what the recording engineer originally intended. When a chunk of bass does come into a track it’s not a single muddy “woof”, but something that is actually textured and way more interesting.
Sound-staging is also fantastic for closed backs at this price, like a baby DT770 Pro with how instruments are spread around.
The caveats are:
* Despite these cans only being rated for 32Ω (meaning they can be run from a phone) to get the best out of them you need to turn them up reasonably far, and that means using an Amplifier that doesn’t distort at higher volumes. Likewise, being quite detailed it would also be a good idea to have a decent DAC.
* Even with a good DAC and Amp, vocals sometimes get lost in a track and some busy tracks can turn to mud; its times like this when you’re reminded of what these cans actually cost.
So if you want the best that these cans can give you then grab an Amp that can go somewhat loud and remain clean. A DAC for decent audio reproduction would also be a good shout. You can still keep the total price just shy of £100 if you pair these headphones to an Amp/DAC combo such as a Behringer UMC202HD and that bundle together will be a genuinely good introduction to high quality audio.